Category: Practise
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Improvisation
Though the benefits of improvisation are perhaps not as tangible as those of playing from a score, it is unquestionably one of the best ways to stimulate the musical mind. Many famous composers were gifted improvisers; Mozart, Chopin and in particular Bach to name just a few. A well-rounded musician may improvise in any key and…
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Building Piano Technique
What we call technique is the abilities that we have at our disposal to bring our musical ideas to life. It is really a very loose term encompassing the development of hand and bodily movements that will aid the musician. For the pianist, these movements include the strength, flexibility, coordination, independence and control of the…
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Aural Skills: The Inner Ear and Visualisation
When was the last time you got a tune stuck in your head? How much of it can you recall before it goes foggy? In how much detail can you render a performance in your head? Can you imagine yourself playing it as you hear it? If you can picture yourself playing a piece as…
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Fingering at the Piano
The fingers we choose to play our music with is one of the defining characteristics amongst pianists. Whilst some performers may hate putting their thumb on a black key because of the reduced contact, others may like the enhanced possibilities it opens up for the succeeding notes. Whilst some will spread their hand out to…
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Practising, with Stickers!
Students and parents will often ask me what the right amount of practise is. My answer is always the same: little and often. It is far more beneficial to practise for 15 minutes four days a week than for one hour every week.
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Posture at the Piano
Every student should have a basic awareness of what a pianist with good posture should look and play like. Read on to learn how to position your hands, arms, shoulders, legs feet and spine at the piano. The overall posture should tend more towards relaxation than rigidity, so be warned: what follows may not be…